Vol. 2 No. 30 (2013): Variaciones semióticas del acorde
The incorporation of dissonance in the composition of the chord represented a radical redefinition that transformed contemporary music and extended itself to the whole field of aesthesis. For this reason, resuming the current notion of chord as axis of a general reflection on sense implies establishing a different relationship with musical language and, more profoundly, with the sensible.
The works that make up this issue reflect the semantic strength of a term that crosses several domains, at the same time that they articulate themselves around two main confluences: the reference, whether metaphorical or not, to the musical conception of the chord, and the testing of the concept itself in the varied disciplines from where it is approached.
Published:
2016-03-08
