Non-genericity and reception of the pictural master piece
DOI:
https://doi.org/10.35494/topsem.2020.1.43.656Keywords:
Non-genericity, Visual perception, Improbability, Reception of the pictural workAbstract
The statistical notion of no-genericity, passed on and illustrated
by Jean Petitot, allows to spot, in particular in the representational
pictorial works of art, facts of improbable organization of
the forms. These facts are immediately spotted by the human
vision and establish intrinsic significant entities. These entities
will be, at the level of the later interpretation, invested semioticly,
carriers of meanings not perceptual but conceptual.
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References
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analysis ». Ann. Statist, núm. 31, vol. 6, pp. 1822–1851.
GOETHE, J. W. ([1798] 1998). Über Laokoon. Ästhetische Schriften 1771–1805. Friedmar Apel (Ed.). Frankfurt am
Main: Deutscher Klassiker Verlag, pp. 489–500.
PETITOT, Jean (2004). Morphologie et Esthétique. París : Maisonneuve et Larose.
___________ (2009). “Non-Generic Viewpoints as a Method of Composition in Renaissance Paintings”. Cognitive
semiotics, núm. 5, pp. 7-41.
WENTWORTH THOMPSON, D’Arcy (1917). On Growth and Form. Cambridge: University Press.
YUILLE, Alan L. & KERSTEN, Daniel (July 2006). "Vision as Bayesian Inference: Analysis by Synthesis?" TRENDS in
Cognitive Sciences, vol. 17, núm. 7, Elsevier Ltd., pp. 301-308.
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Published
2020-05-04
How to Cite
Darrault-Harris, I. (2020). Non-genericity and reception of the pictural master piece. Tópicos Del Seminario, 1(43), 123–151. https://doi.org/10.35494/topsem.2020.1.43.656
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