El "Cutis Patrio" by Eduardo Espina: Neobaroque Poetics and Fable of National Identity

Authors

  • Mirian Pino Universidad Nacional de Córdoba, Argentina.

DOI:

https://doi.org/10.35494/topsem.2009.1.21.205

Abstract

This essay takes as a starting point El Cutis Patrio (2006), the
latest published work of the Uruguayan poet Eduardo Espina,
who is considered one of the most representative figures of continental
neobaroque. The text is analyzed according to the
Bakhtinian categories of polyphony and the degrees of
carnivalesque nuances that the work carries in a narrow and polemic
interrelation between the chronotope homeland and national
identity.

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Author Biography

Mirian Pino, Universidad Nacional de Córdoba, Argentina.

Profesora de la Facultad de Lenguas de la Universidad Nacional
de Córdoba, Argentina.

References

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Published

2016-03-04

How to Cite

Pino, M. (2016). El "Cutis Patrio" by Eduardo Espina: Neobaroque Poetics and Fable of National Identity. Tópicos Del Seminario, 1(21), 143–162. https://doi.org/10.35494/topsem.2009.1.21.205

Issue

Vol. 1 No. 21 (2009): Dialogismo, monologismo y polifonía

Section

Artículos

License

Licencia de Creative Commons
Tópicos del Seminario is licensed under a Creative Commons Reconocimiento-NoComercial-CompartirIgual 4.0 Internacional License.