Vol. 1 No. 19 (2008): Semiótica musical
Musical semiotics has opened up various fields to exploration and to analysis of musical signification. Initially influenced by the methodologies proposed by the Russian formalism, the structuralism and the poststructuralism, this discipline has been moving toward increasingly multidisciplinary approaches, in which diverse fields of study, such as anthropology, ethnology, philosophy, aesthetics, physiology and psychology, have taken part.
This edition brings together mainly works by Ibero-American authors who stand out for both, the appropriation and reinterpretation of the most important methodological models in musical semiotics, and for the proposal of alternative models that attend to the particular circumstances of musical practices.
Published:
2016-02-17
