Del manierismo epistemológico al manierismo estético. Algunas propuestas y ejemplos para una exploración fenomenológica del espacio del juego artístico

Abstract

Starting from the concept of epistemological and mathematical Mannerism developed in a previous work, I postulate that this denomination can be applied fruitfully not only to the phenomenology of image-consciousness, but also to the phenomenology of aesthetic experience itself, and more specifically of pictorial experience. As suggested by Husserl, the concepts of variety of modes, of variation and of transformation must be understood indeed in connection with Riemann’s thought about space and the concept of manifold? By doing so, we get a better understanding of the manifolds of modalities or manners explored by phenomenology. By exploring the manifolds of modes or manners, their correlative modifications and the way they are combined with a specific modification of neutrality through which the affective and belief position-takings are suspended, we step into the phenomenology of aesthetic consciousness.