Enunciative Passion in the work of Antoine Valodine

Abstract

The analytical reading of Anges mineurs by Antoine Valodine, permits us to identify an original mode of enunciative praxis. We start from the multiple and diffuse character of perception and enunciation in order to begin to recognize in this multiplicity the acts of enunciation as similar modes of being that are inscribed in an ethical and ethical and political dimension of discourse. In this perspective, the “I” of the enunciation is no longer the center that organizes the field of presence and the person category takes its place in order to designate the different forms that the enunciation instance can take on: monist or plural, totalitarian or collective, complete or incomplete.